On a Friday following my ARTinerary©, I went to Packer Schopf Gallery in the
West Loop. I was completely drawn to the paintings
with romantic prose and glowing colors. I thought this work was the best out of
the group exhibit. That is when I discovered artist, Jason Lahr. He graciously gave me an interview.
Where
did you grow up?
Western and Central Pennsylvania.
What
was your first childhood experience with art that hooked you?
It’s hard to say. I always liked
drawing, and was lucky enough to have regular art classes growing up and
supportive parents and teachers.
What made you first realize you wanted to pursue a career in art?
What made you first realize you wanted to pursue a career in art?
At some point in high school.
Initially I wanted to be a writer, but then gravitated toward art. My parents
were really supportive, and encouraged me to do whatever I wanted as long as it
made me happy. Then I was lucky to have a few fantastic professors in undergrad
that really expanded my horizons.
What do people always say to you about your art?
I’d say that the question that I get
most often is regarding the text; most people ask me where it’s from, which is
ironic, because for the most part, it’s the only thing that’s not appropriated
from another source.
When
you are painting; the prose; does it come to you as you are making the art or
do you have notes and choose what copy you want to add to each piece?
It’s a bit of each actually. I keep
text fragments and drafts of texts in my sketchbook and on scraps of paper in
my studio. When I’m working, sometimes I’ll pull from these, and other times
I’ll write something specific for the painting.
What
is your favorite color to paint with?
What
are the steps/process to your creations?
Usually, I have a general idea of
layout and composition in a broad sense, a couple of images that I want to use,
as well as a starting point for the color. Normally though, I don’t have things
completely mapped out; as I want to be able to respond to the painting as it
develops and leave things open for ongoing creative problem-solving.
What
is the strongest influence in your life on your paintings?
Probably my working class background.
It has had a huge impact on my work, particularly in how I deal with the impact
of culture and experience on identity.
What is your take on the Chicago art scene? Do you have a Chicago influence? What would it be?
I’m a transplant to the Midwest from
Pennsylvania and I’ve always been really excited by what’s happening in
Chicago. There’s a quirkiness that I really respond to. When I go to galleries,
there’s always something that I think is really good, and that doesn’t always
happen in other cities that I get to. I
also like that there’s a pretty diverse array of work being made and a pretty
good sense of community. Even though I live 90 minutes away, I’ve been able to
make good artist friends and feel like I’m part of the ongoing discourse.
What
do you dislike about the art world?
It’s a dynamic organism that has good
things and bad things. It is what it is. I’ve been lucking in terms of my
experiences, but there are a lot of horror stories out there.
What
has been the biggest challenge for you as a painter?
The biggest challenge is carving out
enough time to be in the studio. The non-studio aspects of life have a tendency
to get in the way, but in the past two years, I’ve been able to maintain a much
more regular studio practice, which has made upcoming show deadlines a bit less
stressful.
What
have been some of your non-art jobs?
I’ve been fortunate, before my
current teaching position, I worked for a museum for 9 years, 6 of them as
curator. Before that I had a range of jobs that got me through college and grad
school. I worked for a sign company, did landscaping, and worked for a tree
farm. Of those, the sign company was probably the best job. I didn’t do any of
the design or vinyl; I helped with the installation and maintenance end of
things. A husband and wife owned the company and he worked another job that was
shift based, which meant that my job was shift based, which was kind of fun and
kept it interesting. Although at the tree farm I did learn to drive stick in a
Korean War jeep.
Do
you have other interests or talents?
I play guitar and am pretty obsessed
with bass fishing.
What
are three words that people would use to describe you?
I only need two: Beard. Tall.
Who
would be the 5 people at your dinner table dead or alive?
That’s a tough one…How about Larry
David, George Saunders, Jimi Hendrix, Amy Poehler, and David Lynch
Who
should play you in the film about you and your art?
Alexander Skarsgard, but he’d have to
put on some weight.
What
advice would you give other artists?
Work hard and put time into your
work. Remember it’s a marathon not a sprint. Too often, I think artists early
in their careers get too fixated on securing a gallery or having a mature
career right out of the starting gate. That’s good in the short term, but often
it’s not good for the long haul. We’ve all seen shows that are great, and then
5 years later either the artist has disappeared or the work doesn’t live up to
that initial start. Don’t be in a hurry, put in the time.
Who
is your favorite artist?
Vernon Fisher. His work is just so
smart and well made. He’s one of those artists that each new body of work is
somehow better.
What
are your top five favorite paintings/sculptures, etc?
Peter Paul Rubens, Descent from the Cross
Vernon Fisher, Scenes From the American West
Artemesia Gentileschi, Judith Slaying Holofernes
Ed Ruscha, Industrial Strength Sleep
Who/what
working artist/ current exhibit would you recommend?
I’ll go with artists: JulieHeffernan, Jered Sprecher, Maria Tomasula, Wendy White, and John Kissick
What
do you want to tell people who don’t understand art?
I think that it’s important for people to not be
intimidated, to realize that it’s ok to not like something, and that not liking
something doesn’t need to be the same as not thinking that it has any cultural
value.
To see more of Lahr's work please visit his website: www.jasonlahr.net
